November 11 to February 20, 2025
Monday and Thursday
2:30 p.m. to 4:30 p.m.
Telecasts and radio commentators, through a proper knowledge of sports terminology, enthusiastically recount what is happening in real time during an event.
They are professionals in the world of sports communication; they can work in radio or television, providing the information to all listeners using clean, fluid language.
Registered publicists and professional journalists;
Graduates and/or undergraduates from Faculties of Humanities and/or Communication Sciences;
Graduates who are passionate about the field.
Private certificate of attendance at the classroom phase
CV dissemination at companies in the industry
Study of teaching materials
Live streaming classroom phase (46 hours lecture + 4 hours legislative area)
Cv Disclosure
MODULE 1: Telecast and radio commentary in contemporary times and
of social
∙ Definition and History of Telecast and Radio Reporting.
∙ The difference between commentary and radio commentary.
∙ The Role of the Remote and Radio Announcer.
∙ The evolution of commentary in recent decades.
∙ The basics and rules of commentary.
MODULE 2: The tools and analytical language of the commentator/broadcaster
∙ Professional language
∙ The tools of the role: radio, TV, social media
∙ The preparation for live
∙ The evolution of Telecast through new news channels ∙
Tactics and patterns of play
∙ The different combinations of items.
∙ Practice and simulations
MODULE 3: Analysis and in-depth study of sports techniques in the context of the
commentary and radio commentary
∙ Analysis and study of the event
∙ Classroom simulation study
∙ The construction of a synthesis
∙ The tale of a synthesis
∙ Time management and organization
∙ Ability to adapt to different transmission modes.
∙ The job of the field reporter.
∙ How a sports telecast and radio report is conducted.
MODULE 4: Effective communication, diction techniques and tools.
∙ Tone and rhythm
∙ Word scan
∙ Use of clean, fluid language.
∙ The techniques for a professional language.
MODULE 5: Edge analysis and techniques.
∙ The principles of the camp edge
∙ The preparation
∙ Main skills
∙ The pre-game intervention.
∙ The intervention during the match
∙ The post-match interviews.
MODULE 6: Practical lessons in making a telecast.
∙ Interviews, sidelines, and reporting techniques.
∙ Practice Rehearsal of Telecast.
∙ Difference between a live and a fake live commentary
∙ Evidence of highlights narrated by 3 minutes
∙ Work on gal collections
∙ Evidence of live goal with links between "fields"
MODULE 7: Sports Podcast
∙ How to make a sports podcast
∙ Differences between talking and reading about a topic.
∙ Use of software and microphones.
∙ Type of podcast
MODULE 8 LEGAL
∙ Consolidated text of the journalist's duties.
∙ The principles and duties
∙ Deontological fundamentals.
∙ Article 21 of the Italian Constitution
∙ Code of ethics relating to journalistic activities.
∙ Duties to minors
∙ Duties to the weak.
∙ Duties to foreigners
∙ Duties with regard to information
∙ Article 48 (Disciplinary Procedure) of Professional Law 69/1963.
∙ Article 15 of Law 47/1948.
∙ Principles from the intersection of the Constitution and professional ethics rules.
∙ Journalistic work
∙ Treviso Charter
Admission and selection procedures;
Start of the Course according to the scheduled dates;
Study of teaching materials to prepare for the classroom phase;
Technical lectures and exercises
Using Recording Software
Sound Designer and Composer
With over 20 years of experience in the world of sound design and music composition, Peter Stakes has established himself as a leading professional in the field. His career began in London, where he took his first steps in post production and film composition.
Over the years, Peter Stakes has had the opportunity to collaborate with internationally renowned directors such as Ridley Scott and Paolo Sorrentino, contributing his skill and creativity to projects of great visual and aural impact. His versatility has allowed him to range between different media, making his mark in numerous films, TV series, and audiovisual projects.
After the London experience, Peter Stakes worked for Fox International Channels in Rome, where he managed a team of sound designers and composers for in-house Fox productions, creating sounds and music for National Geographic, History Channel, and all Fox channels. He then moved to Milan, Italy, working for McPost, McCann Erickson's audio post production, creating sounds and music for TV and radio commercials.
In parallel, Pietro composed lyrics and music for several performers including Mina and Celentano, and had the opportunity to perform on the stages of the most prestigious American festivals with the indie rock music project The Record's.
He later embarked on a career as a freelance composer and sound designer, moving towards New Media and collaborating with various technology companies such as eMooks, Debord Technologies, and King.com. In recent years, he has soundtracked several podcasts for production companies such as Chora Media, DopCast, Ansa, and L'Espresso. Currently, he curates audio for Cronache Di Spogliatoio podcast productions and continues to write music for various media.
Peter's work Stakes is characterized by a deep passion for sound and a constant search for new artistic challenges. His ability to create unique and engaging soundscapes makes him an essential figure in any project in which he participates.
RAI journalist. Radio commentator for 'Tutto il calcio minuto per minuto." Took part in 7 World Cups and as many European Championships.
A law graduate, lecturer in diction and public speaking, Lorenzo Dardano is a radio speaker at RadioFreccia ( RTL 102.5 Group), and publicist for several TV and Radio commercials. In addition to conducting diction and phonetics courses, he has also lent his voice to podcasts and corporate videos, and is an event host.
Palermo-born, passed through Rome and ended up in Milan, he started doing commentary by crumpling up stickers and trying to imitate Bruno Pizzul's voice during the 1994 USA World Cup. He worked at RDS, writes for Gazzetta dello Sport, and started from soccer tournaments to commentating futsal, the real thing. Today he is a commentator for Sky Sport, the voice of Champions League highlights, Prime Video, and a commentator for the Lega Serie A channel. He has never stopped narrating beach soccer (his deep passion) and, above all, stacking stickers.
English 
Italian